SYNOPSIS
BARBA: Brazilian Body Percussion Musical is an ensemble-driven full-length musical told through the lens (and bodies) of Barbatuques–the world-renowned Brazilian body percussion group. When their visionary leader, Fernando Barba, passes away, the ensemble loses the very heartbeat of their sound. In the wake of his death, the group must reunite and embark on a journey of remembrance, reckoning, and renewal–processing their grief through rhythm and rediscovering the collective pulse that once brought them together. Through this journey, they carry forward Barba’s legacy and embrace the music that lives on in every body.
2024 Production at Pregones Theater. Photo by Krystal Pagán
CAST & CHARACTERS
2024 Production at Pregones Theater. Photo by Jeremy Daniel
Cast size: 12-20+. Six principal characters (three women, three men), plus an ensemble between six to fourteen (this number includes musicians). The entire cast is the orchestra–they are going to make all the music (and sound effects) through body percussion and a cappella music. The larger the ensemble, the richer the soundscape. Some cast members will play portable instruments: Brazilian pife (a transverse bamboo flute), the Berimbau (jaw harp) and the guitar.
The cast should reflect the diverse composition of Brazil–a mix of Latin, African, Indigenous, European and Asian individuals. One of the lead characters (Barba’s sister) is physically handicapped–confined to a wheelchair [as she is in real life]–and she demonstrates remarkable resilience and perseverance in the face of her limitations.
BARBA DEVELOPMENT
2025
September 11th – 28th, 2025
production at
Teatro Expressivo, San José, Costa Rica
CLICK HERE FOR TICKETS
March 2025
MUSI-CAL Foundation of New American Musicals
Catalina Jazz Club, Hollywood, California
American Playwriting Foundation Relentless Award Honorable Mention 2025.
OFF-BROADWAY. PREGONES/PRTT
THEATER, NYC (February 2024)
Fully-staged production by R.Evolución Latina,
directed and choreographed by Luis Salgado.
JACOB’S PILLOW (August 2024)
Musical Theatre Performance
Ensemble featuring BARBA
38th ANNUAL
NATIONAL ALLIANCE
FOR MUSICAL THEATRE
NAMT Recommended Musical 2024
LATINÉ MUSICAL THEATRE LAB BENEFIT CONCERT (October 2023)
Cutting Room, NYC.
LATINÉ MUSICAL THEATRE LAB. Reading Series (October 2023)
AMAS Musical Theatre Studio, NYC.
JOE’S PUB, PUBLIC THEATER. NYU GMTWP Showcase. (May 2023)
The Public Theater, NYC.
CREATIVE TEAM
CARLOS BAUZYS
Book & Music
Carlos Bauzys is a composer, orchestrator and musical director from São Paulo, Brazil—highlights include: Aparecida – Um Musical, Isaura, O Pífaro, Silêncio em Apuros, Bichos do Mundo and Kin Con Krof. Musical director and conductor of several first-class musical theater shows in São Paulo and Rio de Janeiro, highlighting: Funny Girl, Summer – The Donna Summer Musical, Zorro, Sunset Boulevard, Peter Pan, The Producers, Singin’In The Rain, Man Of La Mancha, R&H Cinderella, The Drowsy Chaperone, Hello Dolly, Grey Gardens and La Cage Aux Folles. Musical director and arranger for Disney Plus Brazil in the project Uma Garota Comum (2025). Winner of two Bibi Awards for Musical Direction (the Brazilian equivalent of a Tony Award). Co-Musical Director of Barbatuques (world-famous Brazilian body percussion group). First Brazilian to be awarded a Full Tuition Scholarship in the Graduate Musical Theater Writing Program at NYU. Bachelor in Composition and Conducting at the Institute of Arts UNESP.
KIM BIXLER
Book & Lyrics
Kim Bixler is a songwriter, author, playwright and public speaker from Southern California. In addition to her musicals, plays and monologues, Kim has authored and edited several books, including her latest book Growing Up in a Frank Lloyd Wright House and is featured in the PBS documentary Frank Lloyd Wright’s Boynton House: The Next Hundred Years. Kim is a sought-after lecturer and speaker in the field of architecture and navigating her Musical Theater Midlife Crisis (2025 TEDx talk). Kim graduated from Cornell University, and attended Harvard University as a college scholar studying political science and history, prior to getting her MFA in musical theater writing at NYU Tisch’s Graduate Musical Theatre Writing Program.
“As the former co-music director of the Barbatuques, and close friends with Barba, I’m excited to have the opportunity to tell Barba’s history in a musical, because it is also my history. Today, Barbatuques is a very well-known group in the world with reference to body percussion, but Barba’s influences are also in musical education across the country. The way he could create music from nothing, using just the body and the creativity coming from all people around him was so special, evolving and inclusive.”
About Carlos & Kim
Carlos Bauzys and Kim Bixler met when they were paired together while auditioning for NYU Tisch’s Graduate Musical Theatre Writing Program (GMTWP). They collaborated on numerous pieces during the two year program, culminating in their master thesis project BARBA: Brazilian Body Percussion Musical. Their final year in the program was dedicated to completing a full-length musical with the support of the faculty, staff and their fellow students.
INTRO VIDEO & BLOOPER REEL below:
Barbatuques
BODIES AS INSTRUMENTS
Founded by Fernando Barba in the mid 1990s, Barbatuques (Portuguese for “Barba’s drummings”) is an 11 to 13-person music group from São Paulo, Brazil that fuses techniques of body percussion, a cappella music, vocalizations, Brazilian rhythms, international sounds and music improvisation.
The Barbatuques in action. Photo by Inaê Coutinho
COLLABORATIONS
The Barbatuques have performed in over 20 countries around the world. In addition, they have participated in shows and recordings with numerous international artists and groups such as: STOMP, Bobby McFerrin (USA), Camille (FRA), Çudamani (Indonesia), Keith Terry (USA), One Giant Leap (UK), Stênio Mendes (BRA), Badi Assad (BRA), MarkuRibas (BRA), Chico Cesar (BRA), Naná Vasconcelos (BRA), Robertinho Silva (BRA), Djalma Corrêa (BRA), among others.
The Barbatuques in concert. Photo by Barbatuques Collection
BARBATUQUES & EDUCATION
Fernando Barba teaching students body percussion. Photo by Inaê Coutinho
Educational workshops, improvisational sessions and school programs are at the heart of Fernando Barba’s and the Barbatuques’ mission. Students can experience the joy of being the musician, the composer and the instrument at the same time. Participants can learn about rhythm, music theory and performance through their bodies and best of all…their instrument is free.
Fernando Barba and André Hosoi. Photo from the Barbatuques Collection
Short Documentary about The Barbatuques, featuring Fernando Barba and André Hosoi (in Portuguese)
LEARN MORE ABOUT THE BARBATUQUES!
Barbatuques Highlights
Closing Ceremony Rio Olympics 2016
Disney's RIO 2 Film
SONGBOOK (Scores)
Scores and lead sheets of a dozen of Barbatuques’ popular pieces. Music transcribed by Carlos Bauzys and Barbatuques. (Click image for purchase options)
ALBUMS & DVDs
· Corpo do Som” (2002)
· O Seguinte É Esse” (2005)
· Corpo do Som ao Vivo” (2007)
· Tum Pá (2012)
· Tum Pá ao Vivo” (2014)
· AYÚ” (2016)
· Só + 1 Pouquionho” (2018)